klionconsultant.blogg.se - Hundred days musical

“& Juliet”, The New Broadway Musical Roars Strong December 23, 2022.“Becky Nurse of Salem” Fires Up The Stakes, But Fizzles Out Soon After December 24, 2022.Broadway’s “Some Like It Hot” Sizzles and Soars Most Progressively December 25, 2022.Broadway’s “Ohio State Murders” Fails to Plunge the Knife in Deep December 27, 2022.Toronto’s Joseph Wears its Amazing Technicolor Dreamcoat Energetically and Joyfully December 30, 2022.Ruben Östlund’s “Triangle of Sadness” – I Command You: Enjoy the Moment December 31, 2022.The Best of 2022 On Stage – in NYC, London, and Toronto January 1, 2023.Tammy Faye – A New Musical Sparkles in its Unfocused Frame January 5, 2023.West End’s Great Play, Good January 6, 2023.West End’s Best of Enemies Clashes Dynamically, Expertly, and Intelligently January 8, 2023.“The Pale Blue Eye” Doesn’t Blink as it Captivates and Intrigues January 11, 2023.NYTW’s Merrily We Roll Along Triumphs in Reverse, Wonderfully January 24, 2023.MTC’s The Collaboration Makes Disposable Sellable Art for Consumption January 27, 2023.Broadway’s A Beautiful Noise Tries Hard, Without a Lot of Sing Song Blues to Run With January 31, 2023.

2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway February 2, 2023.

Roundabout’s The Wanderers Does Exactly That, But Fails to Find its Way to the Core February 18, 2023.

The Memory of Trees, An Interview February 20, 2023.

Audible’s Lucy Builds Tension, But to What End? February 21, 2023.

Leo Reich: Literally Who Cares?! Well, Maybe I do.

Anthony Rapp’s Without You Gets the Rent Right, But Disconnects When it Gets Personal February 25, 2023.

Titanique is Céline “Fu**ing” Dion Unsinkable February 25, 2023.

Soulpepper Theatre’s English Speaks Volumes With Humor and Pain February 27, 2023.

Tarragon Theatre Unleashes a Powerful and Funny Redbone Coonhound March 1, 2023.

MCC’s Wolf Play Rings Forth the Battle, Playfully and Emotionally March 3, 2023.

Tarragon Theatre Sparkles with the Intense and Captivating “Behind the Moon” March 4, 2023.

Broadway’s Pictures From Home Remains Unfocused and Flat March 5, 2023.

The Unpacking of the First Métis Man of Odesa, An Interview March 25, 2023.

Broadway’s A Doll’s House Meticulously Stunning Revival Soars Like a Birdie Above That Clumsy Cat on a Hot Tin Roof March 26, 2023.

Broadway’s Parade, a Masterpiece and Master Class, Not to be Missed.

Broadway’s “Life of Pi” Sails Strong and Magically Over From the West End March 30, 2023.

Sweeney Todd Kills and Eats Up the Competition on Broadway April 2, 2023.

Great “Shucked” bests Bad “Bad Cinderella” on Broadway April 4, 2023.

Punctuate! Theatre’s “First Métis Man of Odesa” Touches Our Collective Heart Against a Backdrop of War and Disease April 7, 2023.

“The Hooves Belonged to the Deer” Shoots Wild and True at Toronto’s Tarragon Theatre April 8, 2023.

The Public’s “The Harder They Come” Dreams Big April 9, 2023.

Bob Fosse’s Dancin’ Rides High, But Slowly Loses Its Steam Heat.

“How To Defend Yourself” Punches Strong at NYTW April 13, 2023.

The Captivating “Vierge” Vibrates with Spiritual Energy at Factory Theatre Toronto April 15, 2023.The New Group’s “The Seagull/Woodstock, NY” and Soulpepper’s “The Seagull” Flies Out With Force in Uniquely Different Ways Over a Vastly Different Lake April 16, 2023.

Body So Fluorescent Glows Extra Strong and Bright at Buddies Toronto April 18, 2023.A Dutiful and Desirable Summer at Stratford Festival 2023 April 19, 2023.Search for titles on my site Search for: Recent Posts To this exploration of myth and dreamlike legend and to The Bergsons, I can only say “Yes”. Enough memories and ideas to fill the air with light from the stars overhead, or enough to tell the passing of time with crystals of sand (or salt) pouring down through an hourglass. It will vibrate through your heart, wondering how so many beautiful and painful suspended memories of love can be created and encompassed. This is a story that breathes hope and desire into us all, signaling that love without fear can last far longer than a Hundred Days, regardless of sickness or health. The space is enlightened further by the specific and subtle choreography, designed with the lightest of touches by movement director, Sonya Tayeh (Encores’ The Wild Party) and lit to perfection by Hungerford (The Flea’s remount of These 7 Sicknesses). Staged simply but majestically by Anne Kauffman (NYTW’s Mary Jane), with scenic design by Kris Stone and Andrew Hungerford, props design by Stone (PH’s The Light Years), costume design by Sydney Gallas (59E59’s Knives in Hens), and sound design by Nicholas Pope (Broadway’s Natasha, Pierre & the Great Comet of 1812), every moment feels authentic and spontaneous.